Use coupon code WELCOME10 for 10% off your first order.

Cart 0

Congratulations! Your order qualifies for free shipping You are Rs. 200 away from free shipping.
Sorry, looks like we don't have enough of this product.

Pair with
Is this a gift?
Subtotal Free
View cart
Shipping, taxes, and discount codes are calculated at checkout

Your Cart is Empty


Slide image

Every piece at the atelier begins not with a stone or a setting, but with a question: what would she want this to be? Reshu spends a long time with that question, thinking about the woman who will wear it, not as an abstract idea, but as a real presence. Each piece is conceptualised with intention, the weight of it, the way light moves across it, the way it sits against the skin. Nothing is arbitrary. The proportions are considered, and the details are deliberate. More than jewellery that performs, we are interested in jewellery that belongs to the woman, to her story, and to the particular version of herself she is growing into.

Slide image

The making is meticulous. Each piece moves through hands that understand the difference between craft and mere production. Stone selection is personal - not just for quality, but for character. Settings are engineered to hold without overpowering, and finishes are refined until the piece feels inevitable - as though it could not have existed any other way. This is the part we don’t rush. Because the woman we make for doesn’t need another beautiful object; she needs something that feels like it was made with her in mind. Because it was.

“We are trying to bring a present-day touch to age-old techniques. We have used meenakari within Georgian-inspired settings, but also in contemporary pieces where you may not even notice it at first. It is about keeping that craft alive while allowing it to belong in jewellery women want to wear today.”

Traditional techniques are at the heart of Irram’s contemporary design language. Georgian-inspired settings lend depth and an antique sensibility, while meenakari appears in unexpected, often discrete ways within contemporary forms. The intention is not to reproduce the past, but to carry its skills forward—creating jewellery that feels relevant to the woman wearing it today.Traditional techniques are at the heart of Irram’s contemporary design language. 

At Irām, our workshop is where ideas take shape through the skill and care of our craftspeople. It’s a space for collaboration, experimentation, and the small discoveries that make each design our own. Here, traditional techniques meet a contemporary perspective, bringing thoughtful details to every piece we create.